Estoy muy feliz de la hermosa noche de apertura de la Exposición de Arte «Artistad», donde tuve la oportunidad de estar con mi familia, amigos y muchos grandes artistas, compartiendo un hermoso momento juntos y mostrando el Charles MacLean Portrait que hice hace cuatro años.

Es un placer compartir estos recuerdos con todos ustedes, especialmente con @johnrobertson.studio, quien me inspiró y me alentó tantas veces a producir muchas de mis obras de arte favoritas, como esta.

«Está obra condensa mi pasión por el whisky, mi amor por el arte y el valor que tienen para mí los buenos amigos. Es el resultado de un hermoso intercambio de ideas que devino en una amistad más allá de las fronteras.
Una charla con un consultor de whisky escocés, John Robertson, que surgió durante la pandemia, inspiró muchas de mis obras, entre ellas este retrato de Charles MacLean, uno de los expertos en whisky de Escocia más reconocido mundialmente.»

Título: Charles MacLean Portrait
Serie: Whisky World
Technique: Acrylic on canvas
Medidas: 50 x 60cm
Year 2020

ART IS FOR EVERYONE

 19 al 31 de julio de 2024
Gusta tu gusto – Espacio de arte
Chile 2364. Buenos Aires, Argentina

A small summary of what was TERRA, Art Exhibition, last Saturday May 20 in Buenos Aires, where I exhibit one of my works from the Renacer in Epecuén Series, together with other great artists who provide his tribute to this beautiful planet.

Thanks to all the friends who came to accompany me in this beautiful moment, to the organizers of the event, especially @dzilbersztein and to all the artists who participated in this meeting full of art and life.

 Artwork exhibited:

A kind of magic
Series: Reborn in Epecuén
Technique: Acrylic on canvas
Size: 90 x 90 cm
Year: 2018

Laboratorio de Arte de Vivi Berthet.
Av. Mosconi 4200, Buenos Aires, Argentina

20 May 2023

May art and love always be the meeting place for souls.
Thank you all for making a place in your hearts to receive my art, thanks to friends and those who still defend the joy of creating.
End of the 365 Exhibition inBarolo's Palace Basements.

Artwork exhibited:

Cathedrals I
Serie: Out of Series
Técnica: Oleo sobre tela
Medidas: 80 x 120 cm
Year: 2003

Interior of the Cathedral of Chartres and "The Cathedral" (sculpture by Auguste Rodin)

Nuestra-Señora de Chartres, edificio gótico del siglo XII, fue construido inmediatamente después del incendio que asoló la catedral románica del siglo XI. Esta catedral se encuentra en la ciudad de Chartres, en el centro oeste de Francia.
The interior is beautiful, especially when the day is bright. When advancing through the central nave one experiences an immense enjoyment of beauty, and as one approaches the transept, one feels how the measures of the temple and the games of perspectives evolve. This image of ascension in aesthetic and spiritual enjoyment is enhanced by the unevenness of the ground itself, increasing in altitude up to the head. This cathedral, like many others, was drawn by Auguste Rodin in his travel notebooks.
In 1914 his book "Cathedrals of France" was published with almost 2000 illustrations by this great artist.
Auguste Rodin (París 1840-1917), realizó en piedra la escultura que llamó “La Catedral” evocando las ojivas de una catedral gótica. Son dos manos derechas que no pertenecen a la misma persona. Una de ellas es más vigorosa, más alta y fuerte y está en actitud protectora; es masculina. La otra mano, más tierna y recogida, más delicada, es femenina. El gesto es de acercamiento afectivo, de comunión interpersonal, de oración, y se encuentran en un nivel superior.
These hands rest one against the other, slightly curved and united in the center of the kind of vault that they form at the top, where the fingers evoke the ribs of the arches, pointing towards a higher center of confluence.
It is the architectural principle of the Gothic cathedral: the building supporting itself by the mutual support of the parties, which rise together, like the hands of "The Cathedral".

Bajos del Barolo
Av. de Mayo 1370, Buenos Aires, Argentina

From December 3 to 7, 2022

PINTAR+ICONOS is a virtual exhibition and international art contest.
The guideline is the reinterpretation of a famous painting with one's own style, the use of a famous painter's style for one's own work current or a mixture of both options, with theme, technique and free style; organized by the plastic artist Ezequiel Orue.

The Artist GISELA GARCÍA-GLERIA (Argentina / Ig @ giselagarciagleria) presents us her Work «Cathedrals I«, from the Large Format Series», where using the artistic language of Peteer Neefs; plus the image of the sculpture «The Cathedral» by August Rodin.
Neefs was a Flemish Baroque painter, specialized in painting interiors of Cathedrals, and Auguste Rodin was a French sculptor, considered the father of modern sculpture.

Gisela herself tells us about her experience in PAINTING + ICONS:
«Pieter Neefs the Elder was a Flemish painter, his work dates from the first half of the s. XVII, specialist in interior architecture. His most frequent subject is the interior of churches and cathedrals, depicting both existing churches and imagined churches.
Many of Neefs's paintings were inspired by Antwerp Cathedral.
“The Cathedral”, previously known as “The Arch of the Alliance”, is a sculpture by the French artist Auguste Rodin, conceived in 1908. It shows two right hands belonging to two different figures, one with masculine characteristics and a female one, placed in such a way that they seem about to intertwine.
In my work I sought to capture this analogy, using the imposing and luminous interior of Chartres Cathedral as a background image, taking inspiration from the painting of the Interior of the Church of Saint Joris in Antwerp by Neefs, the viewer's gaze is placed in a perspective that directs towards the large rose window and, in an intentional transparency and levitation, a vision of the hands the sculpture by Rodin, slightly curved, joined at the ce Inside as a kind of vault, where the fingers evoke the ribs of the arches, pointing towards a superior center of confluence».

ART IS FOR EVERYONE

https://www.instagram.com/p/CiXb01wOf4a/?igshid=YmMyMTA2M2Y%3D

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Collective exhibition in which I exhibited my works "A walk through the sleeping shadows", "A mystical dream" and "Soul of fire" belonging to the Series "The Macallan Story".

Nayart Espacio de Arte
Thames 1844, Buenos Aires, Argentina

December 18, 2021

Bye!

Bye. Goodbye.
Let go. Break off. Let go
Empty. Make room. Let the new come in.
Give the last brushstroke. Cover the bins. Close the knobs. Put away the pencils. Wash the brushes.
Sort the workshop. Empty the mind, and let it fill with other ideas, other forms, other colors, other dreams.
Bye.
Look back. The last work rests on the easel. In the air, the smell of turpentine still stirs.
The heart clings to the lost. The mind looks beyond.
Look. Look with your eyes closed. Stretch out your hand. Feel the sun at your fingertips.
Feel the light tearing apart the darkness. Dance.
Dance as if it were the last time.

Walk. Retrace old roads. Rescue the beauty.
Dialogue with the Masters. Soak up their wisdom, their advice, their actions.
Feeding the soul. With its light, its shadow, its color.
Reaffirm concepts. Question truths. Rethink lies.

To love. Unloving and loving again.
Prolonging being, succeeding blood.
Being wind, being a river, being air, being a path.
Being a flower, being a tree, being a seed.
Crying . Be a drop of salt, and cry.

Plant. Sow the future with hope.
Doubt. Doubting the doubt and the perhaps, the possible and the impossible.
Doubting and not looking back.
Bye.
Painting.
Painting, fighting against oblivion.
Painting , dispelling mists and ghosts.
Painting until the eyes and back hurt.
Until the hands bleed
Until your self appears in the new canvas.
Bye.

Dario Zilbersztein
October 2021

In the context of the global pandemic by COVID -19 and preventive social isolation, the only way to continue enjoying art exhibitions turned out to be virtuality.

Initiative, curatorship and production of the Argentine plastic artist Darío Zilberstein, in collaboration with Paula Orlando, the «About love and other pandemics» call brought together 57 artists who share our art in a virtual space, showing our productions most recent produced in quarantine.

This exhibition was born from our need to share our expressions through our works, resignifying a virtual space of art that gives the exhibition a framework of belonging through montage.

The exhibition is set in a digital reconstruction of a new space, where I share the virtual space with excellent artists, artists that I value and admire for their artistic quality and for their warmth as people.

My work «The Hug» (5:33 ′) is a representation of the intimate connection between two beings, two souls, two identities that are shared in a conjunction of feelings.

An artistic expression that describes the sensitivity of a moment of peace, the one we long for, the one that purifies the spirit and rests, for a small fraction of time, that lasts forever in the memory.

Virtual Group Exhibition of Visual Arts
Opening Saturday 19/12 / 2020 at 7:00 p.m. on YouTube, Facebook and Instagram